张喻却还是没有放松下来，抬着头看向他：“按照正常情况来说，你的人品，干不出这事。只不过……你有前科。”分手后，他也不是没在孤男寡女的时候，占过她便宜。“那是当时我没觉得我们彻底分开了，我以为我有那个信心把你追回来，现在不会了。”李涂坦诚道。他说完话，就率先往楼下走去了，丁书慧在片刻之后还给他打了一个电话，说她已经回到家里了。This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
片名：《偏执狂》
制片地区： 其它
导演： 翁贝托·伦齐
编剧： 翁贝托·伦齐
主演： 卡罗尔·贝克,洛乌·卡斯特尔
看过《偏执狂》的网友对这部影片的评价
我真的永远都吃这种只凭一点棋逢对手的惺惺相惜，就能迅速地一起出生入死共同干一票大事的戏码，可是现实生活中人与人之间想要建立起信任却实在太难了
有神作剧本打底，很难拍得难看。本土化之后，故事更为接地气，背景代入感强，整体优化得通俗易懂，容易吸引人入坑，可谓一次极其成功的翻拍。
戏剧张力贯彻始终，几场戏教人拍案叫绝。好看全程无尿点，两位影帝正常发挥，谈判专家身份反转成为谈判对象，这个设定本就把戏剧冲突拉满！
